Clawing at the Limits of Cool: Miles Davis, John Coltrane and the Greatest Jazz Collaboration Ever Book + PRICE WATCH * Amazon pricing is not included in price watch

Clawing at the Limits of Cool: Miles Davis, John Coltrane and the Greatest Jazz Collaboration Ever Book

When trumpeter and bandleader Miles Davis chose the members of his quintet in 1955, he passed over respected saxophonists to pick out the relatively untested John...Read More

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  • Pickabook

    Farah Jasmine Griffin, Salim Wahington

  • Amazon Review

    Amazon Best of the Month, August 2008: Throw on the legendary LP, Kind of Blue, and the genius of Miles Davis and John Coltrane sings with the first note. Right away, both men establish their styles within the warm, confident tones of "So What," setting the stage for an album that has sold over 3 million copies to date. Clawing at the Limits of Cool explores this early symbiotic relationship and how two mavericks went on to rewrite the rules of jazz. Davis was the prodigy, born with a once-in-a-generation talent and a desire to expand the limits of his sound. Coltrane, on the other hand, was a late bloomer with a tenacious focus who saw nothing but the music. "Trane was just into playing," Davis once remarked. "If a woman was standing in front of him naked he wouldn't have seen her." Yet while Davis' bold trumpet and Coltrane's searching sax mixed in perfect harmony, their off-stage relationship was surprisingly flat. According to alto saxophonist Sonny Fortune, "Miles wasn't a talker and Trane wasn't a talker. So you got to guess there's no talking." Added drummer Rashied Ali: "Not with words, anyway." With deft examinations of time-honored performances and colorful anecdotes from bandmates, Farah Jasmine Griffin and Salim Washington provide an honest portrait of the enduring legacies of both "The Chief" and "Trane." --Dave Callanan

  • Product Description

    When the renowned trumpeter and bandleader Miles Davis chose the members of his quintet in 1955, he passed over well-known, respected saxophonists such as Sonny Rollins to pick out the young, still untested John Coltrane. What might have seemed like a minor decision at the time would instead set the course not just for each of their careers but for jazz itself.

    Clawing at the Limits of Cool is the first book to focus on Davis and Coltrane’s musical interaction and its historical context, on the ways they influenced each other and the tremendous impact they’ve had on culture since then. It chronicles the drama of their collaboration, from their initial historic partnership to the interlude of their breakup, during which each man made tremendous progress toward his personal artistic goals. And it continues with the last leg of their journey together, a time when the Miles Davis group, featuring John Coltrane, forever changed the landscape of jazz.

    Authors Farah Jasmine Griffin and Salim Washington examine the profound implications that the Davis/Coltrane collaboration would have for jazz and African American culture, drawing parallels to the changing standards of African American identity with their public personas and private difficulties. With vastly different personal and musical styles, the two men could not have been more different. One exemplified the tough, closemouthed cool of the fifties while the other made the transition during this time from unfocused junkie to a religious pilgrim who would inspire others to pursue spiritual enlightenment in the coming decade.

    Their years together mark a watershed moment, and Clawing at the Limits of Cool draws on both cultural history and precise musical detail to illuminate the importance that their collaboration would have for jazz and American history as a whole.

  • 0312327854
  • 9780312327859
  • Farah Jasmine Griffin, Salim Wahington
  • 1 August 2008
  • Thomas Dunne Books,US
  • Hardcover (Book)
  • 304
  • 1st Thomas Dunne Books Ed
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