Don't the Moon Look Lonesome Book + PRICE WATCH * Amazon pricing is not included in price watch

Don't the Moon Look Lonesome Book

Stanley Crouch is one of the great provocateurs in American letters, which has led Salon to call him "the bull in the black-intelligentsia China shop." Infamous for his controversial views on race, he loves to treat iconic figures such as Toni Morrison and Spike Lee as critical pincushions. However, he has built his career primarily as a reviewer and essayist. Don't the Moon Look Lonesome, then, represents his first attempt at fiction. Crouch's novel tells the story of a mixed-race couple, both musicians, living in New York City. Maxwell is a black sax player; Carla is a white jazz singer. Their love for each other seems to transcend race--yet the great American dilemma keeps interfering, and as they try to gain acceptance from friends and family, jazz is the one thing that soothes them. In a typical altercation, a black man in a parking lot derides Carla as a "stringy-haired white girl." But as she listens to Maxwell perform immediately afterward, the very notes he plays seem like the best possible rebuttal, "more masculine and more tender and more androgynous and more than male or female or happy or sad or frightened or brave or knowing or befuddled than anything she had ever heard her man play." Don't the Moon Look Lonesome is an awkwardly written novel, and a slow-moving one at that. Long passages are devoted to descriptions of the music Carla and Maxwell create, and while Crouch has inherited Albert Murray's mantle as one of our most lively jazz critics, his own voice merges with those of his characters in an odd and distracting way. They end up sharing both the author's appetite for provocation and his wordiness, which undermines the greatest mystery of music in the first place--its wordlessness. Crouch also has a propensity for bizarre metaphors attributed to inner states, a prime example being this thorny item: "the sudden spread of this interior cactus." Finally, female readers should be warned: one of Carla's major strengths is that despite her white skin, she has a black ass. Perhaps that's progress. And perhaps Crouch's editors were so intimidated by his reputation that they neglected to tell him when he was playing out of tune. --Emily WhiteRead More

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  • Product Description

    Don't the Moon Look Lonesome is a staggering achievement, an unprecedented American epic that brilliantly explores the fault lines of race, ethnicity, sex, and class in our society -- as dramatized by a five-year, interracial romance.

    Carla is a talented jazz singer nearing forty. Maxwell is a renowned tenor saxophonist, the man Carla deeply loves and wants to marry. But Maxwell, who is black, finds himself increasingly at odds with the notion of lifelong togetherness with a white woman, as he yields to group pressure. While they are visiting his parents (whom Carla hopes to win over in her struggle to keep Maxwell in her life), scenes from Carla's past play out against the present, and we begin to appreciate the astonishing arc of her life.

    From South Dakota to Chicago, from New York City to Houston, from crack houses to art shows, churches to jazz clubs, open plains to unfettered city streets, Carla relentlessly pursues her artistic vision and authority as each of her love affairs reveals who and what she is -- an authentically complex heroine unlike any in our national literature.

  • 0375409327
  • 9780375409325
  • Stanley Crouch
  • 1 April 2000
  • Pantheon Books
  • Hardcover (Book)
  • 560
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