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Embers Book

In Sándor Márai's Embers, two old men, once the best of friends, meet after a 41-year break in their relationship. They dine together, taking the same places at the table that they had assumed on the last meal they shared, then sit beside each other in front of a dying fire, one of them near-silent, the other one, his host, slowly and deliberately tracing the course of their dead friendship. This sensitive, long-considered elaboration of one man's lifelong grievance is as gripping as any adventure story, and explains why Maáai's forgotten 1942 masterpiece is being compared with the work of Thomas Mann. In some ways, M´rai's work is more modern than Mann's. His simplicity and succinct, unadorned lyricism may call to mind Latin American novelists like Gabriel García Márquez, or even Italo Calvino. It is the tone of magical realism, although Márai's work is only magical in the sense that he completely engages his reader, spinning a web of words as his wounded central character describes his betrayal and abandonment at the hands of his closest friend. Even the setting, an old castle, evokes dark fairy tales. The story of the rediscovery of Embers is as fascinating as the novel itself. A celebrated Hungarian novelist of the 1930s, Márai survived the war but was persecuted by the Communists after they came to power. His books were suppressed, even destroyed, and he was forced to flee his country in 1948. He died in San Diego in 1989, one year before the neglected Embers was finally reprinted in his native land. This reprint was discovered by the Italian writer and publisher Roberto Calasso, and the subsequent editions have become international bestsellers. All of his novels are now slated for American publication. --Regina MarlerRead More

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  • Amazon

    In Sándor Márai's Embers, two old men, once the best of friends, meet after a 41-year break in their relationship. They dine together, taking the same places at the table that they had assumed on the last meal they shared, then sit beside each other in front of a dying fire, one of them near-silent, the other one, his host, slowly and deliberately tracing the course of their dead friendship. This sensitive, long-considered elaboration of one man's lifelong grievance is as gripping as any adventure story, and explains why Maáai's forgotten 1942 masterpiece is being compared with the work of Thomas Mann. In some ways, M´rai's work is more modern than Mann's. His simplicity and succinct, unadorned lyricism may call to mind Latin American novelists like Gabriel García Márquez, or even Italo Calvino. It is the tone of magical realism, although Márai's work is only magical in the sense that he completely engages his reader, spinning a web of words as his wounded central character describes his betrayal and abandonment at the hands of his closest friend. Even the setting, an old castle, evokes dark fairy tales.

    The story of the rediscovery of Embers is as fascinating as the novel itself. A celebrated Hungarian novelist of the 1930s, Márai survived the war but was persecuted by the Communists after they came to power. His books were suppressed, even destroyed, and he was forced to flee his country in 1948. He died in San Diego in 1989, one year before the neglected Embers was finally reprinted in his native land. This reprint was discovered by the Italian writer and publisher Roberto Calasso, and the subsequent editions have become international bestsellers. All of his novels are now slated for American publication. --Regina Marler

  • Amazon

    A castle at the foot of the Carpathian mountains in the 1930s. Two men, inseparable in their youth, meet for the first time in 41 years. They have spent their lives waiting for this moment. Four decades earlier a murky, traumatic event had led to their sudden separation.

  • Foyles

    'Wonderful. Immensely moving' Daily TelegraphAs darkness settles on a forgotten castle at the foot of the Carpathian mountains, two men sit down to a final meal together. They have not seen one another in forty-one years. At their last meeting, in the company of a beautiful woman, an unspoken act of betrayal left all three lives shattered - and each of them alone. Tonight, as wine stirs the blood, it is time to talk of old passions and that last, fateful meeting.'Extraordinary. Elegiac, sombre, musical and gripping. An immensely wise book' Observer'A masterpiece. Works beautifully as a novel of suspense ... whose denouement is as exciting as a detective tale. It is a thrill to read something so startlingly original' Evening Standard'Utterly compelling. An extraordinary and beautiful novel' Scotsman'One of those novels which stays in the memory long after it has been put down. A masterpiece' Sunday Telegraph

  • BookDepository

    Embers : Paperback : Penguin Books Ltd : 9780141004310 : : 06 Feb 2003 : A castle at the foot of the Carpathian mountains in the 1930s. Two men, inseparable in their youth, meet for the first time in 41 years. They have spent their lives waiting for this moment. Four decades earlier a murky, traumatic event had led to their sudden separation.

  • Penguin

    As darkness settles on a forgotten castle at the foot of the Carpathian mountains, two men sit down to a final meal together. They have not seen one another in forty-one years.

  • Pickabook

    Sandor Marai, Carol Brown Janeway (Trans)

  • 0141004312
  • 9780141004310
  • Sandor Marai
  • 6 February 2003
  • Penguin
  • Paperback (Book)
  • 256
  • New Ed
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