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Futurist Typography and the Liberated Text Book
In the early decades of the twentieth century, European artists, poets, and designers called for the destruction of outdated assumptions about vision and language. Numerous manifestos resulted, demanding new artistic forms. None of these manifestos was more aggressive and poetic, or wider in scope than Filippo Tomasso Marinettiâ??s Futurist Manifesto of 1909. Painting, sculpture, literature, architecture, theatre, cinema, and music were all caught up in its net. Typographyâ??until then a distant relative in the artsâ??also played a major role in Marinettiâ??s program. Written by leading design scholar Alan Bartram, this fascinating book examines the rise and evolution of the Futuristsâ?? approach to typography and graphic design, placing it within the context of contemporary artistic and … read more...
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