Gallows Thief Book + PRICE WATCH * Amazon pricing is not included in price watch

Gallows Thief Book

By setting Gallows Thief in the Regency period, Bernard Cornwell is able to use his customary skills of characterisation and razor-sharp plotting against a vividly realised new backdrop. It is Britain in the 1820s. After the wars with France, with unemployment high and soldiers paid off, the government lives in mortal fear of social unrest. The solution is draconian punishment for any crime, and thousands die on the gallows. But despite this, it was possible to petition the King and instigate an investigation. Cornwell's new hero Rider Sandman is a hero of Waterloo struggling to repay his family debts when he becomes involved in the case of a man waiting to be hanged in Newgate prison. Given the job by the Home Secretary of investigating the man's guilt or innocence, Sandman finds himself knee-deep in labyrinthine plots involving bribes, sedition and a massive conspiracy of silence. As this suggests, the contemporary parallels are never far away. The world Cornwell has conjured for us is as richly drawn as any in his distinguished career: gentlemen's clubs and taverns, haughty aristocrats, fashionable painters and their mistresses, and professional cut-throats; all this creates a heady melange that is just as impressive as anything in Cornwell's Sharpe series. --Barry ForshawRead More

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    A man in Newgate had been found guilty of murdering the aristocrat whose portrait he was painting. Captain Hawkes is given the job of investigating, but when his first steps produce a sizeable bribe to look the other way, it arouses his smouldering anger over the condition of England.

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    1820s Britain: after the wars with France when unemployment was high and soldiers could be paid off when the government was desperately afraid of social unrest any crime was drastically punished and thousands were hung. But one could petition the King and an investigation might ensue... The man in the dark cell in Newgate Prison was due to hang in a week. He had been found guilty of murdering the aristocrat whose portrait he was painting. He claimed to be innocent -- but then the hangman had never hung a guilty man he said. But even in 1820 the Home Secretary could occasionally use his powers to grant mercy if his investigator found cause and Rider Sandman once of the First Foot Guards is given the job. Rider Sandman a hero of Waterloo has family debts to repay but when his first steps in the investigations produce a sizeable bribe to look the other way this only arouses his smouldering anger over the condition of England a country which he and others in Wellington's army had fought to preserve. Stepping between gentlemen's clubs and taverns talking to aristocrats fashionable painters their models and their mistresses dodging professional cut-throats and deceptive swordsmen Sandman uncovers a conspiracy of silence a group whose proudest boast was that they would do anything for any one of them. Sandman is a wonderful character as yet undaunted by the sleazy streets dank jails or the looming scaffold and uncorrupted by politicians sneering gentlemen or frightening bruisers an investigator in the making and a brilliant but very different hero for all Bernard Cornwell fans.

  • 0007127162
  • 9780007127160
  • Bernard Cornwell
  • 5 August 2002
  • HarperCollins
  • Paperback (Book)
  • 416
  • New Ed
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