Men, Women and Chain Saws: Gender in the Modern Horror Film Book + PRICE WATCH * Amazon pricing is not included in price watch

Men, Women and Chain Saws: Gender in the Modern Horror Film Book

Before Men, Women, and Chain Saws, most film critics assumed that horror (especially slasher) films entail a male viewer sadistically watching the plight of a female victim. Carol Clover argues convincingly that both male and female viewers not only identify with the victim, but experience, through the actions of the "final girl," a climactic moment of female power. As the Boston Globe writes, Men, Women, and Chain Saws "challenges simplistic assumptions about the relationship between gender and culture... [Clover] suggests that the 'low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." Be forewarned, though: Clover addresses an academic audience, so her language can be heavy going. Related title: The Dread of Difference: Gender and the Horror Film by Barry Keith Grant Read More

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  • Product Description

    Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression. Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression.

  • 0691048029
  • 9780691048024
  • Carol J. Clover
  • 1 July 1992
  • Princeton University Press
  • Hardcover (Book)
  • 276
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