Staging Tradition: John Lair and Sarah Gertrude Knott (Music in American Life) Book + PRICE WATCH * Amazon pricing is not included in price watch

Staging Tradition: John Lair and Sarah Gertrude Knott (Music in American Life) Book

The colorful and detailed story of folk music’s pioneering stage presenters   Based on extensive archival research and oral history, Michael Ann Williams’s Staging Tradition traces the parallel careers of the creators of the Renfro Valley Barn Dance and the National Folk Festival. Through their devotion to staging of traditional culture, including folk, country, and bluegrass music, John Lair (1894-1985) and Sarah Gertrude Knott (1895-1984) became two of the mid-twentieth century’s most notable producers.   Lair and Knott’s discovery of new developments in theater and entertainment during the 1920s led them to the producing careers that fed their own needs to be center stage. Inspired by programs such as WLS’s Barn Dance and the success of early folk events, Lair began promoting Kentucky musicians and Knott staged her own radically inclusive festival, which included Native and African American traditions, and continues today as the National Folk Festival. Through extensive original research, Williams shows how Lair and Knott fed the public’s fascination with the “art of the common man,” and were in turn buffeted by cultural forces that developed around and beyond them. Read More

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  • Product Description

    Based on extensive archival research and oral history, Michael Ann Williams's "Staging Tradition" traces the parallel careers of the creators of the Renfro Valley Barn Dance and the National Folk Festival. Through their devotion to staging of traditional culture, including folk, country, and bluegrass music, John Lair (1894-1985) and Sarah Gertrude Knott (1895-1984) became two of the mid-twentieth century's most notable producers. Lair and Knott's discovery of new developments in theatre and entertainment during the 1920s led them to the producing careers that fed their own needs to be centre stage. Inspired by programs such as WLS's "Barn Dance" and the success of early folk events, Lair began promoting Kentucky musicians and Knott staged her own radically inclusive festival, which included Native and African American traditions, and continues today as the National Folk Festival. Through extensive original research, Williams shows how Lair and Knott fed the public's fascination with the "art of the common man," and were in turn buffeted by cultural forces that developed around and beyond them.

  • 0252073444
  • 9780252073441
  • Michael Ann Williams
  • 22 August 2006
  • University of Illinois Press
  • Paperback (Book)
  • 264
  • 1
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