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Still Wild Book

In Still Wild: Short Fiction of the American West, 1950 to the Present, Larry McMurtry gives us a depleted West. The West of McMurtry's own writing is wildly various, filled with dead ends and bright ideas, lonesome cowboys and garrulous socialites. In the 20 stories he's chosen for this anthology, it is instead an undifferentiated territory of losers: you've got your sad sacks, your screwups, your lost souls. The lucky have all gone to live somewhere else. In any anthology, there is usually one story that rolls up its sleeves and clobbers all the others. Here it is Annie Proulx's haunting "Brokeback Mountain," the secret history of two male ranch workers who fall in love and carry on a life-long affair. Her opener also happens to give a perfect view of the landscape found in this collection: "They were raised on small, poor ranches in opposite corners of the state, Jack Twist in Lightning Flat, up on the Montana border, Ennis del Mar from around Sage, near the Utah line, both high-school drop-out country boys with no prospects, brought up to hard work and privation, both rough-mannered, rough-spoken, inured to the stoic life." Sometimes the poverty is slicked up with romance, as in Jack Kerouac's "The Mexican Girl," a lightning-hot excerpt from On the Road: "Terry and Raymond sat in the grass; we had grapes. In California you chew the juice out of the grapes and spit the skin and pits away, the gist of the grape is always wine. Nightfall came. Terry went home for supper and came to the barn at nine o'clock with my secret supper of delicious tortillas and mashed beans. I lit a wood fire on the cement floor of the barn to make light. We made love on the crates." We read of Wallace Stegner's Saskatchewan, Richard Ford's Wyoming, Mark Jude Poirier's suburban Tucson. Each story thoughtfully renders disappointment. Proulx's Jack Twist says it best: "Nothin never come to my hand the right way." The writing is above reproach, the stories are compelling, but by the end of the book they seem to be all the same story. Surely the West is bigger than this. --Claire DedererRead More

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  • Product Description

    Still Wild, Larry McMurtry, the preeminent chronicler of the American West, celebrates the best of contemporary Western short fiction, introducing a stellar collection of twenty stories that represent, in various ways, the "coming of age" of the American frontier.

    Featuring a veritable Who's Who of the century's most distinctive writers, from Richard Ford, William H. Gass, and Raymond Carver to Leslie Marmon Silko, Louise Erdrich, and Annie Proulx, this collection effectively departs from the standard superstars of the Western genre. McMurtry has chosen a refreshing range of work that, when taken together, depicts the evolution and maturation of Western writing over several decades. Instead of the oft-anthologized adventures of Zane Grey, readers of Still Wild will encounter Jack Kerouac's extended love letter to Los Angeles, in "The Mexican Girl," and Wallace Stegner's haunting "Buglesong," with its disturbing evocation of the cruelty lurking beneath the West's beautiful landscape.

    The tales featured are not so concerned with the American West of history and geography as they are with the American West of the imagination -- one that is alternately comic, gritty, individual, searing, and complex. And indeed, Still Wild demonstrates all of these qualities.

  • 0684868822
  • 9780684868820
  • Larry McMurtry
  • 26 June 2000
  • Simon & Schuster Ltd
  • Hardcover (Book)
  • 416
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