The Confidence-man: His Masquerade (Classics) Book + PRICE WATCH * Amazon pricing is not included in price watch

The Confidence-man: His Masquerade (Classics) Book

Onboard the Fidèle, a steamboat floating down the Mississippi to New Orleans, a confidence man sets out to defraud his fellow passengers. In quick succession he assumes numerous guises - from a legless beggar and a worldly businessman to a collector for charitable causes and a 'cosmopolitan' gentleman, who simply swindles a barber out of the price of a shave. Making very little from his hoaxes, the pleasure of trickery seems an end in itself for this slippery conman. Is he the Devil? Is his chicanery merely intended to expose the mercenary concerns of those around him? Set on April Fool's Day, The Confidence-Man (1857) is an engaging comedy of masquerades, digressions and shifting identity, and a devastating satire on the American dream.Read More

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  • Penguin

    Part satire, part allegory, part hoax, The Confidence-Man is a slippery metaphysical comedy set on April Fool's Day aboard the Mississippi steamer Fidele.

  • Book Description

    Long considered the author's strangest novel, The Confidence-Man is a comic allegory aimed at the optimism and materialism of mid-eighteenth-century America. A mysterious shape-changing Confidence-Man approaches passengers on a Mississippi steamboat and, winning over the (not quite innocent) victims with his charm, urges them to implicitly trust in the cosmos, in nature, and even in human nature-with predictable results.
    The Confidence-Man represented a departure for Melville, a satirical and socially acute work that was to be a further step away from his sea novels. Yet it confused and angered reviewers who preferred to pigeonhole him as an adventure writer. Some have argued the book was a joke on the readers loyal to his sea stories, but if so, it backfired. Dismissed by critics as unreadable, and an undoubted financial failure, The Confidence-Man's cold reception undermined Melville's belief in his ability to make a living writing works that were both popular and profound, and he soon gave up fiction. It was not until the mid-twentieth century that critics rediscovered the book and praised its wit, stunningly modern technique, and wry view that life may be just a cosmic con game.

  • 0140445471
  • 9780140445473
  • Herman Melville
  • 25 August 2005
  • Penguin Classics
  • Paperback (Book)
  • 400
  • Reprint
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