Patricia Duncker's previous books have been cerebral, involved tales (as is indicated by their titles, like Hallucinating Foucault, or Monsieur Shoushana's Lemon Trees). The Deadly Spaces Between, by contrast, is painted with a lusher, warmer emotional palette. The tale is told from a masculine perspective, with conviction and some verve. The narrator is Toby Hawk, the teenage son of a famous female artist. The setting is a "draughty, comfortable, mid-Victorian mass of red brick and white gables", deep in the rainy English provinces. Living alongside Toby and mum are a grandiose lesbian great aunt and her posh lawyer partner Liberty. All very emancipated. Yet, despite the unorthodox nature of this menage, the atmosphere in the house, as Duncker artfully sketches it, is positively
… read more...bourgeois in its stasis. These people are glib and inert; nothing can disturb their complacent bohemianism. Then Duncker puts some mustard on the novelistic sandwich. A dark stranger comes, "a huge heavy man with a black car". This abrupt intrusion of this animated, brainy scientist, Roehm, throws the "Amazonian triangle" into a tizz, and kicks off a mystery that will take young Toby to London and beyond--to gay bars, opera houses, biology labs, ski runs, as well as the darker recesses of scientific history. The result is at once clever, dry, confusing, elegant, reserved and, just occasionally, exhilarating. --Sean ThomasRead More read less...