In this late Restoration comedy Vanbrugh not only pushes the unhappily married couple, which had been good for no more than a raucous subplot in earlier comedies of manners, centre-stage - he also makes the audience sympathise with the wife: The only thing Sir John and Lady Brute agree on is that they ought not to have married each other; now he spends his time in drunken debauchery with his cronies, while she tries to withstand the advances of her admirer Constant. After a series of farcical accidents involving cross-dressing and the eternal lover-in-the-wardrobe, the couple end where they began. Since the scene in which Sir John disguises as a clergyman was deemed 'immoral and profane', an alternative scene (in its way equally profane) was written, in which he disguises as his own wife.
… read more...This edition provides both versions and discusses the play's continuing popularity on the stage.Read More read less...