The Weight of Dreams Book

In her earlier novel South of Resurrection, Jonis Agee seemed bent on refuting Thomas Wolfe: you can go home again, though sometimes it's easier not to. The Weight of Dreams finds her returning to the same thematic territory in a sweeping, ambitious novel about nothing less than good and evil, writ on a vast Western scale. Home, for Ty Bonte, is the hardscrabble Nebraska Sandhills, where he's been doing "a man's work" on the family ranch since the age of 8. Unfortunately, he's also been taking a man's share of punishment--his mother's abandonment, his father's abuse, even his own guilt over his baby brother's accidental death. Small wonder, then, that Ty turns into something of a delinquent, especially when he joins forces with Harney Rivers. Rich kid, sadist, drug dealer--"the boy who could put his hands on anything illegal"--Harney gets Ty into even more trouble than he could on his own. When they pick up a pair of Indian hitchhikers one bitterly cold winter night, the violence that subsequently erupts will change all four of their lives forever. Twenty years later, Ty is living in Kansas, where he owns a small, hard-won farm and trades horses for a living. He's made a sober, reasonably successful life for himself, but is still haunted by the repercussions of his past--which include an outstanding warrant for his arrest. Then one day Ty picks up a mysterious woman named Dakota along with a load of horses, and the past comes knocking on his door in the form of Harney Rivers. Before the novel is through, Ty will have to make amends for the crimes of his youth--and in the process, redefine what it means to go home. Gritty depictions of ranch life; lyrical evocations of the stark Nebraska landscape; a romance that feels both passionate and true: there is much to admire here, even when the entire package feels somewhat overlong. For one thing, Agee evokes the horse life so vividly that you can practically smell it--and among her characters, only the impossibly evil Harney comes off as less than true-to-life. In the end, flaws like these count for little when weighed against Agee's vivid portrait of place. --Chloe ByrneRead More