Under the Dome Book

The achievement of Stephen King is unlike that of any writer. He has taken a genre which was somewhat moribund when he came to it -- the horror novel -- and transformed it into one of the most phenomenally successful areas for quality popular writing -- what's more, his unprecedented sales success has inspired hundreds of imitators, and while few can match his inspiration (or, for that matter, his jawdropping productivity), there is no question that he has rejuvenated the horror field. Not that King confined himself to the strict parameters one might associate with the genre; several of his books -- such as this latest one, The Dome, stray into science fiction territory). But King’s achievement doesn't end there -- such is his influence over other genres (notably the crime and thriller field) that writers in those genres have been obliged to up the ante in terms of gruesome compulsiveness (Thomas Harris’ Hannibal Lecter books, for instance, owe much to the King transformation of the popular literature field). And as for that loaded world – ‘literature’ -- isn't Stephen King reputed to be the author who has brought quality writing into a field not noted for such things? (Not, that is, since the halcyon days of Edgar Allen Poe in a previous century). Is that claim true of the new book?

So... The Dome. This massive novel, 25 years in the writing (if Stephen King is to be believed), is quite his most ambitious project, and brings to mind earlier blockbuster novels which aficionados considered to be among the writer's best work. Something like the basic premise here may be found in a classic piece of British science fiction, John Wyndham’s The Midwich Cuckoos (filmed as Village of the Damned). In that book, a village is isolated by an invisible force field -- and in the King novel, the residents can no more get out than the outside world can enter. John Wyndham's narrative involved the insemination of the women in the town by unseen alien presences, but Stephen King in The Dome has chosen to work in a different area. When the small New England town of Chester's Mill is cut off from the outside world by a mysterious force, all the laws of physics seem to be up for grabs; cars leaving town come up against invisible barriers, and there is death and mutilation for whatever was caught in the boundaries of an invisible field. Inside the dome, the inhabitants of the town deal with the catastrophe in a surprising (and often alarming) variety of ways: ex-military hero Dale Barbara has already come up against the antisocial elements of the town, and has been trying to get out. But the self-styled boss of the town, the demagogue Big Jim Rennie, soon establishes a Machiavellian control (another echo of the books of John Wyndham, in which catastrophe always throw up vicious, fascist-style leaders who capitalise on the disaster).

As ever, King develops his massive dramatis personae with great assurance, and demonstrates once again that his imagination in terms of plotting is as strong as ever. Those, however, who have made a case for King as a quality writer rather than a great popular entertainer will not find much ammunition for their arguments here, but this great sprawling canvas affords many pleasures. --Barry Forshaw

I believe there is another man inside every man, a stranger... writes Wilfred Leland James in the early pages of the riveting confession that makes up 1922, the first in this pitch-black quartet of mesmerizing tales from Stephen King, linked by the theme of retribution. For James, that stranger is awakened when his wife Arlette proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness. In Big Driver, a cozy-mystery writer named Tess encounters the stranger is along a back road in Massachusetts when she takes a shortcut home after a book-club engagement. Violated and left for dead, Tess plots a revenge that will bring her face to face with another stranger: the one inside herself. Fair Extension, the shortest of these tales, is perhaps the nastiest and certainly the funniest. Making a deal with the devil not only saves Harry Streeter from a fatal cancer but provides rich recompense for a lifetime of resentment. When her husband of more than twenty years is away on one of his business trips, Darcy Anderson looks for batteries in the garage.Her toe knocks up against a box under a worktable and she discovers the stranger inside her husband. It's a horrifying discovery, rendered with bristling intensity, and it definitively ends A Good Marriage. Like DIFFERENT SEASONS and FOUR PAST MIDNIGHT, which generated such enduring hit films as The Shawshank Redemption and Stand by Me, FULL DARK NO STARS proves Stephen King a master of the long story form.

Under the Dome : Hardback : Hodder & Stoughton : 9780340992562 : : 10 Nov 2009 : On the heels of the stunning success of Under the Dome, Hodder's bestselling Stephen King title this decade, comes a collection of four brand new, darkly riveting and intimate stories.

Stephen King's most riveting novel since THE STAND, in which every chapter ends on a cliffhanger -- a Maine town and its inhabitants are isolated from the world by an invisible, impenetrable dome.