Writing on Drugs Book

"A vast literature on drugs has assembled itself in the last two hundred years. It begins with the late eighteenth century's explorations of opium, wends its way through cannabis, coca, and cocaine, and later finds itself entangled with a wide variety of plant hallucinogens and synthetic drugs. "Like their writings and their writers, these substances could hardly be more diverse. Some of them are ancient, others very new. Some are synthesized in laboratories, and some grow wild. Some are widely used as medicines, a few are fatal in large doses, some have no toxicity at all. In the twentieth century, the vast majority of these substances find themselves controlled by some of the world's oldest international agreements and its most extensive national laws. But they do have their own common ground as well. Whether they are organic or synthetic, old or new, stimulating, narcotic, or hallucinogenic, all these drugs have some specific psychoactive effect: they all shift perceptions, affect moods, change behavior, and alter states of mind. And all of them have exerted an influence that extends far beyond their users ... When drugs change their users, they change everything." In this exhilarating literary exploration, Sadie Plant traces the history of drugs and drug use through the work of some of our most revered, and infamous, writers. Rather than exploring drug use as an avenue to spiritual transcendence, Plant focuses on the way that drugs themselves make precise, recognizable interventions in consciousness, in cultural life, in politics. She argues that the use, production, and trafficking of drugs--narcotics, stimulants, and hallucinogens--have shaped some of the era's most fundamental philosophies and provided much of its economic wealth. "The reasons for the laws and the motives for the wars, the nature of the pleasures and the trouble drugs can cause, the tangled webs of chemicals, the plants, the brains, machines: ambiguity surrounds them all. Drugs shape the laws and write the very rules they break, they scramble all the codes and raise the stakes of desire and necessity, euphoria and pain, normality, perversion, truth, and artifice again." Through examinations of post-Romantic writers on drugs, including Coleridge on opium, Freud on cocaine, Michaux on mescaline, and Burroughs on them all, Writing on Drugs exposes this most profound and pervasive influence on contemporary culture.Read More